| Clearly and reasonably, and with great psychological insight, he drew a picture of the prince’s past relations with Nastasia Philipovna. Evgenie Pavlovitch always had a ready tongue, but on this occasion his eloquence, surprised himself. “From the very beginning,” he said, “you began with a lie; what began with a lie was bound to end with a lie; such is the law of nature. I do not agree, in fact I am angry, when I hear you called an idiot; you are far too intelligent to deserve such an epithet; but you are so far _strange_ as to be unlike others; that you must allow, yourself. Now, I have come to the conclusion that the basis of all that has happened, has been first of all your innate inexperience (remark the expression ‘innate,’ prince). Then follows your unheard-of simplicity of heart; then comes your absolute want of sense of proportion (to this want you have several times confessed); and lastly, a mass, an accumulation, of intellectual convictions which you, in your unexampled honesty of soul, accept unquestionably as also innate and natural and true. Admit, prince, that in your relations with Nastasia Philipovna there has existed, from the very first, something democratic, and the fascination, so to speak, of the ‘woman question’? I know all about that scandalous scene at Nastasia Philipovna’s house when Rogojin brought the money, six months ago. I’ll show you yourself as in a looking-glass, if you like. I know exactly all that went on, in every detail, and why things have turned out as they have. You thirsted, while in Switzerland, for your home-country, for Russia; you read, doubtless, many books about Russia, excellent books, I dare say, but hurtful to _you_; and you arrived here; as it were, on fire with the longing to be of service. Then, on the very day of your arrival, they tell you a sad story of an ill-used woman; they tell _you_, a knight, pure and without reproach, this tale of a poor woman! The same day you actually _see_ her; you are attracted by her beauty, her fantastic, almost demoniacal, beauty--(I admit her beauty, of course). |
| “It’s loaded all right,” said Keller, examining the pistol, “but--” |
Gania, little as he felt inclined for swagger at this moment, could not avoid showing his triumph, especially just after such humiliating remarks as those of Hippolyte. A smile of self-satisfaction beamed on his face, and Varia too was brimming over with delight.
This sort of character is met with pretty frequently in a certain class. They are people who know everyone--that is, they know where a man is employed, what his salary is, whom he knows, whom he married, what money his wife had, who are his cousins, and second cousins, etc., etc. These men generally have about a hundred pounds a year to live on, and they spend their whole time and talents in the amassing of this style of knowledge, which they reduce--or raise--to the standard of a science.
“How stupid of me to speak of the portrait,” thought the prince as he entered the study, with a feeling of guilt at his heart, “and yet, perhaps I was right after all.” He had an idea, unformed as yet, but a strange idea.
“Good-bye.”
The prince actually felt glad that he had been interrupted,--and might return the letters to his pocket. He was glad of the respite.
The prince understood at last why he shivered with dread every time he thought of the three letters in his pocket, and why he had put off reading them until the evening.
“All? Yes,” said the prince, emerging from a momentary reverie.
| We may add that to a business man like General Epanchin the present position of affairs was most unsatisfactory. He hated the uncertainty in which they had been, perforce, left. However, he decided to say no more about it, and merely to look on, and take his time and tune from Lizabetha Prokofievna. |
“Yes--I dare say it is all as you say; I dare say you are quite right,” muttered the prince once more. “She is very sensitive and easily put out, of course; but still, she...”
“Oh dear no, oh no! As for a situation, I should much like to find one for I am anxious to discover what I really am fit for. I have learned a good deal in the last four years, and, besides, I read a great many Russian books.”
“My dear young friend, you have hit on my very idea. It was not for this rubbish I asked you to come over here” (he pocketed the money, however, at this point), “it was to invite your alliance in the campaign against Nastasia Philipovna tonight. How well it sounds, ‘General Ivolgin and Prince Muishkin.’ That’ll fetch her, I think, eh? Capital! We’ll go at nine; there’s time yet.”
| “That is--I suppose you wish to know how I received the hedgehog, Aglaya Ivanovna,--or, I should say, how I regarded your sending him to me? In that case, I may tell you--in a word--that I--in fact--” |
| “I have not seen all kinds of liberals, and cannot, therefore, set myself up as a judge,” said Alexandra, “but I have heard all you have said with indignation. You have taken some accidental case and twisted it into a universal law, which is unjust.” |
At this idea, he burst out laughing all at once, in quite unaffected mirth, and without giving any explanation.
| “I don’t think they often kill each other at duels.” |
“No, you fool--you don’t know whom you are dealing with--and it appears I am a fool, too!” said Parfen, trembling beneath the flashing glance of Nastasia. “Oh, curse it all! What a fool I was to listen to you!” he added, with profound melancholy.
| “Get away!” he shouted frantically, observing that Daria Alexeyevna was approaching to protest against Nastasia’s conduct. “Get away, she’s mine, everything’s mine! She’s a queen, get away!” |
“There,” explained the prince, with great delight and animation, “there, that’s the abbot’s real signature--from a manuscript of the fourteenth century. All these old abbots and bishops used to write most beautifully, with such taste and so much care and diligence. Have you no copy of Pogodin, general? If you had one I could show you another type. Stop a bit--here you have the large round writing common in France during the eighteenth century. Some of the letters are shaped quite differently from those now in use. It was the writing current then, and employed by public writers generally. I copied this from one of them, and you can see how good it is. Look at the well-rounded a and d. I have tried to translate the French character into the Russian letters--a difficult thing to do, but I think I have succeeded fairly. Here is a fine sentence, written in a good, original hand--‘Zeal triumphs over all.’ That is the script of the Russian War Office. That is how official documents addressed to important personages should be written. The letters are round, the type black, and the style somewhat remarkable. A stylist would not allow these ornaments, or attempts at flourishes--just look at these unfinished tails!--but it has distinction and really depicts the soul of the writer. He would like to give play to his imagination, and follow the inspiration of his genius, but a soldier is only at ease in the guard-room, and the pen stops half-way, a slave to discipline. How delightful! The first time I met an example of this handwriting, I was positively astonished, and where do you think I chanced to find it? In Switzerland, of all places! Now that is an ordinary English hand. It can hardly be improved, it is so refined and exquisite--almost perfection. This is an example of another kind, a mixture of styles. The copy was given me by a French commercial traveller. It is founded on the English, but the downstrokes are a little blacker, and more marked. Notice that the oval has some slight modification--it is more rounded. This writing allows for flourishes; now a flourish is a dangerous thing! Its use requires such taste, but, if successful, what a distinction it gives to the whole! It results in an incomparable type--one to fall in love with!”
“Where they played last night. Then I found this bench and sat down, and thought and thought--and at last I fell fast asleep.”
| “When you rang the bell this morning I thought it must be you. I went to the door on tip-toe and heard you talking to the servant opposite. I had told her before that if anyone came and rang--especially you, and I gave her your name--she was not to tell about me. Then I thought, what if he goes and stands opposite and looks up, or waits about to watch the house? So I came to this very window, looked out, and there you were staring straight at me. That’s how it came about.” |
| “They say that they have come on business, and they are the kind of men, who, if you do not see them here, will follow you about the street. It would be better to receive them, and then you will get rid of them. Gavrila Ardalionovitch and Ptitsin are both there, trying to make them hear reason.” |
All these days Colia had been in a state of great mental preoccupation. Muishkin was usually out all day, and only came home late at night. On his return he was invariably informed that Colia had been looking for him. However, when they did meet, Colia never had anything particular to tell him, excepting that he was highly dissatisfied with the general and his present condition of mind and behaviour.
“What?”
Till then Gavrila Ardalionovitch had sat apart in silence. When the prince called upon him, he came and stood by his side, and in a calm, clear voice began to render an account of the mission confided to him. All conversation ceased instantly. Everyone, especially the Burdovsky party, listened with the utmost curiosity.
“How did he strike you, prince?” asked Gania, suddenly. “Did he seem to be a serious sort of a man, or just a common rowdy fellow? What was your own opinion about the matter?”
“I didn’t mean that exactly.”
| “You are alone, aren’t you,--not married?” |
| “And I’ve heard one!” said Adelaida. All three of the girls laughed out loud, and the prince laughed with them. |
“You don’t believe it?” said the invalid, with a nervous laugh. “I don’t wonder, but the prince will have no difficulty in believing it; he will not be at all surprised.”
“Why, goodness me, don’t you know?” Varia stopped short.
Aglaya observed it, and trembled with anger.