“I think you said, prince, that your letter was from Salaskin? Salaskin is a very eminent man, indeed, in his own world; he is a wonderfully clever solicitor, and if he really tells you this, I think you may be pretty sure that he is right. It so happens, luckily, that I know his handwriting, for I have lately had business with him. If you would allow me to see it, I should perhaps be able to tell you.”
“Then you have no one, absolutely _no_ one in Russia?” he asked.
| “I know it for a fact,” replied Rogojin, with conviction. |
| “Oh, let her alone, I entreat you!” cried the prince. “What can you do in this dark, gloomy mystery? Let her alone, and I’ll use all my power to prevent her writing you any more letters.” |
| “That is your father, is it not?” asked the prince. |
They were evidently on quite familiar terms. In Moscow they had had many occasions of meeting; indeed, some few of those meetings were but too vividly impressed upon their memories. They had not met now, however, for three months.
“Are you telling the truth when you say you are not in love?”| I. |
“When the old woman took to her bed finally, the other old women in the village sat with her by turns, as the custom is there; and then Marie was quite driven out of the house. They gave her no food at all, and she could not get any work in the village; none would employ her. The men seemed to consider her no longer a woman, they said such dreadful things to her. Sometimes on Sundays, if they were drunk enough, they used to throw her a penny or two, into the mud, and Marie would silently pick up the money. She had began to spit blood at that time.
“You don’t answer me; perhaps you think I am very fond of you?” added Hippolyte, as though the words had been drawn from him.“There,” explained the prince, with great delight and animation, “there, that’s the abbot’s real signature--from a manuscript of the fourteenth century. All these old abbots and bishops used to write most beautifully, with such taste and so much care and diligence. Have you no copy of Pogodin, general? If you had one I could show you another type. Stop a bit--here you have the large round writing common in France during the eighteenth century. Some of the letters are shaped quite differently from those now in use. It was the writing current then, and employed by public writers generally. I copied this from one of them, and you can see how good it is. Look at the well-rounded a and d. I have tried to translate the French character into the Russian letters--a difficult thing to do, but I think I have succeeded fairly. Here is a fine sentence, written in a good, original hand--‘Zeal triumphs over all.’ That is the script of the Russian War Office. That is how official documents addressed to important personages should be written. The letters are round, the type black, and the style somewhat remarkable. A stylist would not allow these ornaments, or attempts at flourishes--just look at these unfinished tails!--but it has distinction and really depicts the soul of the writer. He would like to give play to his imagination, and follow the inspiration of his genius, but a soldier is only at ease in the guard-room, and the pen stops half-way, a slave to discipline. How delightful! The first time I met an example of this handwriting, I was positively astonished, and where do you think I chanced to find it? In Switzerland, of all places! Now that is an ordinary English hand. It can hardly be improved, it is so refined and exquisite--almost perfection. This is an example of another kind, a mixture of styles. The copy was given me by a French commercial traveller. It is founded on the English, but the downstrokes are a little blacker, and more marked. Notice that the oval has some slight modification--it is more rounded. This writing allows for flourishes; now a flourish is a dangerous thing! Its use requires such taste, but, if successful, what a distinction it gives to the whole! It results in an incomparable type--one to fall in love with!”
| “Yes, it was a beautiful turn-out, certainly!” |
XIII.
“Whoever _can_ suffer is worthy to suffer, I should think. Aglaya Ivanovna wished to see you, after she had read your confession, but--”
“Very well--never mind about me; but I shall not allow you to strike her!” he said, at last, quietly. Then, suddenly, he could bear it no longer, and covering his face with his hands, turned to the wall, and murmured in broken accents:
| “H’m! impossible is rather a strong word,” said Ivan Petrovitch. “You must allow, my dear prince... However, of course you value the memory of the deceased so very highly; and he certainly was the kindest of men; to which fact, by the way, I ascribe, more than to anything else, the success of the abbot in influencing his religious convictions. But you may ask me, if you please, how much trouble and worry I, personally, had over that business, and especially with this same Gurot! Would you believe it,” he continued, addressing the dignitary, “they actually tried to put in a claim under the deceased’s will, and I had to resort to the very strongest measures in order to bring them to their senses? I assure you they knew their cue, did these gentlemen--wonderful! Thank goodness all this was in Moscow, and I got the Court, you know, to help me, and we soon brought them to their senses.” |
The laughter became louder than ever.
“Very well,” interrupted Adelaida, “then if you can read faces so well, you _must_ have been in love. Come now; I’ve guessed--let’s have the secret!”| “I confess I came here with an object. I wished to persuade Nastasia to go abroad for her health; she requires it. Both mind and body need a change badly. I did not intend to take her abroad myself. I was going to arrange for her to go without me. Now I tell you honestly, Parfen, if it is true that all is made up between you, I will not so much as set eyes upon her, and I will never even come to see you again. |
“She is a woman who is seeking...”
“Well, have you finished your silly joke?” she added, “and am I to be told what this ‘poor knight’ means, or is it a solemn secret which cannot be approached lightly?”
| Then, of course, there was Gania who was by no means so amiable as his elders, but stood apart, gloomy, and miserable, and silent. He had determined not to bring Varia with him; but Nastasia had not even asked after her, though no sooner had he arrived than she had reminded him of the episode between himself and the prince. The general, who had heard nothing of it before, began to listen with some interest, while Gania, drily, but with perfect candour, went through the whole history, including the fact of his apology to the prince. He finished by declaring that the prince was a most extraordinary man, and goodness knows why he had been considered an idiot hitherto, for he was very far from being one. |
| The prince begged him to step in and sit down. |
| “I will not accept ten thousand roubles,” said Burdovsky. |
| “Don’t deceive me now, prince--tell the truth. All these people persecute me with astounding questions--about you. Is there any ground for all these questions, or not? Come!” |
| “What have I done wrong now?” cried Colia. “What was the good of telling you that the prince was nearly well again? You would not have believed me; it was so much more interesting to picture him on his death-bed.” |
| As for his own impression on entering the room and taking his seat, he instantly remarked that the company was not in the least such as Aglaya’s words had led him to fear, and as he had dreamed of--in nightmare form--all night. |
“Oh, I can’t do that, you know! I shall say something foolish out of pure ‘funk,’ and break something for the same excellent reason; I know I shall. Perhaps I shall slip and fall on the slippery floor; I’ve done that before now, you know. I shall dream of it all night now. Why did you say anything about it?”
“Old story? No! Heaven knows what’s up now--I don’t! Father has simply gone mad; mother’s in floods of tears. Upon my word, Varia, I must kick him out of the house; or else go myself,” he added, probably remembering that he could not well turn people out of a house which was not his own.
“Kapiton Eropegoff--not Captain Eropegoff!--Kapiton--major retired--Eropegoff--Kapiton.”
“Of course he was delighted to get hold of someone upon whom to vent his rage against things in general.
“We did not know the details of his proposals, but he wrote letter after letter, all day and every day. He was dreadfully agitated. Sometimes at night I would throw myself upon his breast with tears (Oh, how I loved that man!). ‘Ask forgiveness, Oh, ask forgiveness of the Emperor Alexander!’ I would cry. I should have said, of course, ‘Make peace with Alexander,’ but as a child I expressed my idea in the naive way recorded. ‘Oh, my child,’ he would say (he loved to talk to me and seemed to forget my tender years), ‘Oh, my child, I am ready to kiss Alexander’s feet, but I hate and abominate the King of Prussia and the Austrian Emperor, and--and--but you know nothing of politics, my child.’ He would pull up, remembering whom he was speaking to, but his eyes would sparkle for a long while after this. Well now, if I were to describe all this, and I have seen greater events than these, all these critical gentlemen of the press and political parties--Oh, no thanks! I’m their very humble servant, but no thanks!”
“Vera Lukianovna,” said Hippolyte, “toss it, will you? Heads, I read, tails, I don’t.”